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Indeed, with the setting now being contemporary, Aliens vs Predator Requiem looks like no more than an attempt to export the Alien and Predator franchises as yet another 00s teen horror film a la the likes of They (2002), Darkness Falls (2003), The Fog (2005) et al. The alien goes to impregnate a pregnant woman (Victoria Bidewell) These shocks get exceedingly lame – like the father who says “See, no monster” to his kid before an alien occludes his reflection in the window and then smashes through to grab him. The Brothers Strause seem to have no concept of creating suspense – rather the various aliens keep being thrown at an audience like pop-up shocks. For that matter, there seems to be no point throughout where any of the characters even work out what they are dealing with – what is going on is only meant to be assumed or inferred by referring to the other films.Įven then the attacks, which all seem to be shot either at night or in the rain, are directed in a way that is often hard to see what is going on or even which species of alien is attacking some of the time. There is no build-up to the film, no unveiling of the various creatures’ threat. More than that though, part of the reason that Alien became a classic was that it dug down into primal fears with the monster being deliberately associated with sexual imagery.īy the time of Aliens vs Predator Requiem, both the alien and the Predator have become no more than generic monsters.
#ALIEN VS PREDATOR THEME MUSIC MOVIE#
Alien 3 did so to a lesser extent, while Predator enjoyably mixed Alien up with action movie formula. Needless to say, The Brothers Strause are no equivalent of The Wachowski Brothers, or even for that matter the Farrelly Brothers, and Aliens vs Predator Requiem is disappointingly ill-conceived on almost all level.Īlien and Aliens are classics of the genre because their respective directors Ridley Scott and James Cameron plunged their audiences into an intensively suspenseful and gruelling ride. One supposed they should have had a sinking feeling about Aliens vs Predator Requiem after realising that the scriptwriter was Shane Salerno, who previously co-wrote the likes of Armageddon (1998) and Shaft (2000), as well as worked as a script doctor on Alien vs. The Brothers Strause began directing with various music videos and commercials, as well as a couple of short films, and AVPR: Aliens vs Predator Requiem was their debut as feature-film directors. They are credited as visual effects supervisors on high profile films such as The Day After Tomorrow (2004), Aeon Flux (2005), Fantastic Four (2005), Poseidon (2006), 300 (2007) and Avatar (2009). The Brothers Strause are better known as visual effects supervisors, starting out working for Light Matters/Pixel Envy in the mid-1990s and then forming their own company Hy*drau*lx.
#ALIEN VS PREDATOR THEME MUSIC SERIES#
The Alien(s) vs Predator crossover was an idea that originally began as fan speculation, gaining life through a series of comic-books and merchandising spinoffs and then a videogame, not to mention an extraordinary number of spec fan scripts.ĪVPR: Aliens vs Predator Requiem comes from Greg and Colin Strause who bill themselves as The Brothers Strause on screen. Predator was in turn a crossover between two of 20th Century Fox’s franchises – the Alien series consisting of Alien (1979), Aliens (1986), Alien 3 (1992), Alien: Resurrection (1997) and the subsequent Prometheus (2012) and Alien: Covenant (2017) – and the Predator series consisting of Predator (1987), Predator 2 (1990) and the subsequent Predators (2010) and The Predator (2018). There's nothing groundbreaking here, and why should there be? Kloser is just building his resumé, and what better way to do it than scoring big-budget - and hopefully big paycheck - Hollywood pap.AVPR: Aliens vs Predator Requiem is the sequel to AVP: Alien vs. Predator Main Theme" is particularly striking and serves as a continuous creative source for the composer to dip his baton in. He also introduces a myriad of electronic elements into the mix that bring to mind the works of contemporaries like Hans Zimmer and Thomas Newman - the "Alien vs.
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Following in the footsteps of previous Alien franchise composers like Jerry Goldsmith and James Horner, Kloser brings the symphonic dread through a winning combination of orchestral vastness and tried and true action-film dynamics. Fledgling film composer Harald Kloser laid waste - musically - to the world for Roland Emmerich's environmental disaster pic The Day After Tomorrow, so it comes as no surprise that he's up to providing the soundtrack for the latest "humans in peril" popcorn diversion, Alien Vs.